Made between dusk and 4 am. Camera traps left on trails for weeks, and the few frames possible by moonlight when the moon is full and the sky is clear.
Roughly a third of these frames came from four animals I have followed since 2019 — the Kumbukkan female, her two surviving daughters, and the big male the trackers call Neluma.
Ten per cent of every print sold funds collaring and camera-trap work with the Wilderness & Wildlife Conservation Trust. Since 2021 that has come to just over $14,000.